The classic viewing space of a museum is calm, bounded by walls and ceilings, and well lit. The space is static. The room is kept simple so as not to take away from the viewing of the art collection being displayed. The 2x4 Museum project called for students to design an anti-museum. Where typically calm, this museum would be dramatic. The arts’ presentation would delay its exposure as opposed to being overt. The building (if we can call sticks and cardboard a building) itself should embody the art - long, engaging, dynamic, etc.

In the first years of architectural study students are challenged to develop their ability to perceive the World around them. As an analytical exercise, students were asked to capture movement in a drawing. Whereas traditional architectural graphics represent a still, static thing, the motion drawing is conceived as a multi-relational, disjointed composition. These disjunctions imply what we, the students, were meant to learn: that no singular instance can be understood without looking at the others; each part has a relationship to the rest; and, every construction is off-balance because of the traces of another construction.