As a problem solving exercise, this project presented a plethora of challenges. The homeowners had never gone through the design process before taking on this project. The couple had only lived in two houses since they were first married. They wanted the new house to follow cultural traditions from their home country that would heavily influence design decisions, called Vastu Shastra, but they still wanted to have all the amenities of a middle class American home. Thankfully the clients were willing to go through the full design process instead of jumping straight into making construction drawings which so often seems to be the case. Using a collection of photographs to develop an aesthetic palette, our design process explored massing options in plan and in elevation that would evolve into the final floor plans. Some 3d modeling was also used to offer some pre-visualizations of the built home.

The business of building and supplying swimming pools is an interesting one for a designer. Some people are happy picking out a fiberglass mold from a magazine or website and then surrounding it with landscaping to create their backyard oasis. Other people can get a custom pool built by on-site. Some of these custom pool builders provide high-design pools built specifically for that location while other builders are content to rebuild the same “better than average” pools repeatedly. Serenity Pools in Baton Rouge, falls somewhere between those two operations. On occasion they would contract me to design custom pools for their more difficult to sell clients. Swimming pools do not typically require a permit so owners will pursue all sorts of interesting designs. Couple that freedom with southern Louisiana’s climate and a growing trend of houses with outdoor kitchens and rooms and my role as a home designer moves into the backyard.

If designing a house for my self is the first reason I went to architecture school, designing a house for my father is definitely the second. When my uncle’s residential contractor company, HCH, acquired several acres to develop, I told my dad to ask for the most difficult parcel available. The lot we had was surrounded by two ponds, two massive live oak trees, and an 18’ drop in slope right where the house should go. After hundreds of yards of dirt were added and we met over lots of dinners, we settled on a ‘C’ shaped house that would terrace the landscape. Using collaged drawings and diagrams, and a constantly changing 3d model, the finished design takes full advantage of the beautiful landscape on all sides. The house took almost a year to build but our efforts paid off; the house has been published in local residential design magazines and won my uncle’s contracting company, HCH, a local builder’s award.

In spring 2008, Lamar Advertising decided to relocate its existing corporate headquarters to 5321 Corporate Boulevard, Baton Rouge, Louisiana. A renovation project, 5321 Corporate is conceived as a transformation from heavy, impenetrable brutalism to strength, grace, movement, and optimism. The existing 115,000 square foot facility would need to be renovated to accommodate all current Lamar corporate employees and allow for reasonable future growth. The interior design would foster an open work environment with a variety of multipurpose meeting rooms and communal areas. Even the executive offices and conference rooms would be located in the same general vicinity as the conventional office space. Central to the clients’ design requirements, the design would need to be neat and unassuming. Ford|Dickinson’s proposal sought to smooth out a shift in the urban grid.

Woman’s Hospital has been proudly bursting at the seams for some time at its current location in the center of Baton Rouge. With the eastern expansion of the city and the development of the I-10 Interstate system after 2006, Woman’s Hospital decided to move their beloved campus to a new location capable of providing the experience their customers expect, and the care the growing community needs. Their vision is to provide a state-of-the-art facility approximately 5 miles from the current campus. The new campus is located on the corner of Airline Highway and Pecue Lane. The goal was to create a new hospital that will be aesthetically pleasing, technologically advanced, and focused on an exceptional patient experience. Ford|Dickinson partnered with HKS, out of the Dallas/Ft.Worth area, to design the new campus. F|D would be responsible for the design of the public spaces, patient rooms, and other hospitality areas.

In the fall of 2007, Lamar Outdoor Advertising and Ford|Dickinson began development of a series of new advertising structures that would incorporate new digital display technologies. It was thought that these new designs would increase public acceptance, and therefore expand the market for placement of these outdoor advertising structures. These new designs would improve the aesthetic appearance of outdoor advertising structures, work in concert with existing support systems, and provide an economical ‘kit of parts’ that can be delivered, installed, and maintained easily throughout the United States. The design process led to the development of four general-concept families with multiple variations that would fulfill those concepts. These conceptual designs were thoroughly illustrated at a temporary online hub where RFP recipients and members of the client body could download documentation about the project.

When Highland Custom Homes, a Baton Rouge custom residential housing contractor group, was looking to subdivide some land for development, I worked with them to come up with several proposals to take to the department of public works office. The final plot plan resulted in four parcels of land available for new residence. Two of the lots would be claimed from the get go; one of the lots would go to HCH figure head, Al Nauck, and the other, more difficult lot would be used to design my father’s house. With two lots left to be sold, HCH asked me to produce sample designs for new houses to be built on the vacant property.

To see my father's house, click here.

In 2004 when Hurricane Ivan made landfall in Gulf Shores, Alabama, it would be the 10th most intense Atlantic hurricane ever recorded. In 2005 when Hurricane Katrina destroyed buildings and gnarled the buffer islands all along the Gulf of Mexico, it would go down as the costliest natural disaster, as well as one of the five deadliest hurricanes in the US. The only project of fall semester, fifth year studio, asked students to design a new facility for the Mississippi Park’s Department to replace the heavily damaged Nature Center in Ocean Springs, MS. The building would house exhibits about the local ecosystem and the gulf islands national seashore program, offer a place of refuge for park rangers and visitors, and would be an exemplar of how a structure in such a hostile environment should not only survive, but flourish through the use of efficient building techniques in this coastal zone.

In urban studio, this project asked students to design a mixed use building that challenged the traditional arrangement of its scheme – public facility on the ground floor and private rooms for rent on the upper floor. Students were asked to pick their own site for the project, to propose the clientele, and the needs of the clientele on their own. I chose to work with a popular coffee house down the block from my school. The project was to include all the mixed use functions typically found in a building of this type, but would offer opposition to the traditional norms found in buildings of this kind. Up would be down. Walls would become the sky, and so on.

Design is almost always a process of problem solving. Architects, planners, product designers, and artists start with some subject matter and they work to produce a composition that engages the viewer with the subject. A good design is one that evokes a feeling from the user of certainty, as if its solution is meant to be, and that any alternative design would be less effective than the design they are seeing. When my school found itself the recipient of a few hundred pounds of donated concrete, of course we had a concrete design competition. My roommate and I teamed up to join in the fun.